In other words, for the world which doesn’t accepts him (as gay), he is a mere artist, and for world which accepts him (as artist) he is gay. This is the critique of the hidden oppression which the Tate misses to materialize, or chose not to materialize to cater to the voyeuristic nature of looking from the developed world to the developing world.
Three women who came to the city of Delhi at three different points in its history, with three different backgrounds, and to three different settlement “categories”. All of them see their work as something which is making a difference, education, housing and food….yet three different positionalities…three kinds of differential access to resources…..three different ways of negotiating these differential access….
As the playful production of momos go on in the first floor of a shop in Chirag Dilli, Vikas, one of the 25 year old momo entrepreneur jokingly ask – “इतनी फोटो खीच रहे हो, कहीं बेन तो नहीं लगवाओगे?” ‘you are taking so pictures, will you ban us (laughs)’ …. and me “मेगी की तरह मोमो को बेन कर दिया तो दिल्लीवाले सड़क पे उत्तर आएंगे!” ‘if momos are banned like magi then dilli walas will protest on roads’……. laughs break as I taste the ingredients!
‘Informal’ due to its dependence on formal and the connotation in the development discourse usually comes up in a negative sense and is almost always referred with urban poor. For the study of fast changing urban agglomerations (specific to India in this case), we need to have a far more neutral term.
We often talk about social equity and development towards an egalitarian city, but often the aspirations of a metropolis curbs the life of communities at the bottom of the pyramid.
“The invisible man’s awful suspicion that, beneath the disguises, there may be nothing there at all, a rind without a heart, a reality of lies, is that comes disturbingly easily and often to the city dweller”
~ Ralph Ellison ‘Invisible Man’ 1952
When understood as articulated moments among crisis-crossing networks of social relations and understanding, places do not posses singular, but multiple and contested identities. Thus, place-making is shaped by conflict, differences and social negotiations among differentially situated and at times antagonistically bound and others whose social relations are understanding span entire regions and transcend national boundaries …
दिल्ली में कई ऐसी बड़ी जगह है जो विशाल संख्या में लोगो के आवास हेतु बनाया गया था| ये परियोजनाए उस समय के आधुनिक परियोजना सिद्धांतो पे निर्मित है, इस लिए पूरी जगह का एक साथ विकास हुआ ना की एक एक भाग में, जैसे एक पारंपरिक समूह में होता है| इस तरह के निर्माण से कई …
Future is something that no one has ever seen and hence can only be picturised, but the picturisation of this future is greatly dependent on the past. The past is almost always glamorized, and hence the future is picturised as an idealized appropriation of the glamorized past. Ideologies driving Indian politics have also been derived …